Tags: composer, innovation, masterpiece, reject, rubinstein, Tchaikovsky
The Russian composer Piotr Ilich Tchaikovsky (1840 – 1893) dedicated his brilliant first piano concerto to the eminent pianist Nikolai Rubinstein. When it was completed in February, 1875, he played the piece for Rubinstein.
Not one word was said – absolute silence… I got up from the piano. ‘Well?’ I said. Then a torrent burst from Rubinstein, my concerto was worthless and unplayable. Bad, trivial, vulgar, only one or two pages had any value.
Rubinstein hated the piece. He wanted Tchaikovsky to make significant changes, but was refused.
I shan’t alter a note. I shall publish it as it stands.
Tchaikovsky crossed out the dedication to Rubinstein from the top of the page. He then rededicated it to Hans von Bülow who played it to great acclaim on his concert tour of the US. Eventually, Rubinstein changed his opinions about the piece and learned and performed it himself.
Hostile reactions to new creative ideas are not unusual – they are normal. Listening now to Tchaikovsky’s masterpiece, we struggle to see how Rubinstein could have failed to be impressed by it. The lesson is that we all have a built-in resistance to unorthodox innovations that displace us from our comfort zones. The more expert we are the more easily we can find fault with other people’s ideas. We can all be as deaf to brilliant new things as Rubinstein.

The case of Tchaikovsky and Rubinstein is typical in organizations where superiors think junior subordinates have nothing to offer and their suggestions mostly rejected with a wave of hand even without evaluation which in most cases some brilliant ideas are lost.
I feel is important that any new idea should be evaluated before being passed as unacceptable